{"id":4213,"date":"2004-06-11T21:55:45","date_gmt":"2004-06-12T02:55:45","guid":{"rendered":"http:\/\/musicabrasileira.org\/?p=4213"},"modified":"2013-07-23T14:30:47","modified_gmt":"2013-07-23T19:30:47","slug":"casa-da-mae-joana","status":"publish","type":"post","link":"https:\/\/musicabrasileira.org\/casa-da-mae-joana\/","title":{"rendered":"Various: Casa da M\u00e3e Joana"},"content":{"rendered":"<h2>Authentic Samba<\/h2>\n<p> <\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft\" alt=\"Casa da M\u00e3e Joana\" src=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2013\/07\/casajoana.jpg?resize=338%2C337&ssl=1\" width=\"338\" height=\"337\" \/>Have you ever wondered what it would be like to sit down with some of the greatest samba masters and jam all night long? Well, you can go to Rio de Janeiro and spend Friday and Saturday nights at a local bar named Casa de M\u00e3e Joana (House of Mother Joanna) in the S\u00e3o Crist\u00f3v\u00e3o neighborhood or you can listen to <i>Casa da M\u00e3e Joana<\/i> CD, a historic release uniting some of the greatest samba experts (“bambas”) of Rio de Janeiro’s Velha Guarda do Samba (Old Guard of Samba).<\/p>\n<p><i>Casa da M\u00e3e Joana<\/i> is a who’s-who list of samba living legends. Z\u00e9 K\u00e9ti, for example, is the composer of famous hits such as “A Voz do Morro,” “Opini\u00e3o” and “M\u00e1scara Negra.” Roberto Moura once said that Z\u00e9 K\u00e9ti is “a monument of a Rio [de Janeiro] that no longer exists.” Z\u00e9 K\u00e9ti is joined by Nadinho da Ilha in Z\u00e9 K\u00e9ti’s own “Clementina de Jesus,” who was a Brazilian legendary sambista. No samba collection would be complete without songs by Cartola, one of the cofounders of the great samba school of Mangueira. The medley of “As Rosas N\u00e3o Falam,” “O Mundo \u00c9 um Moinho” and “Sim” combines three of Cartola’s best and most known compositions. Another Mangueira legend is Nelson Sargento. You can hear him and Wilson Moreira singing about happiness and their beloved Mangueira in “Banho da Felicidade,” “Morrendo de Saudade” and “A Cara do Brasil.” Paulinho Marques’ rendition of “Doce de C\u00f4co” is a well-deserving tribute to Brazil’s mandolin master and most celebrated choro composer, Jacob do Bandolim. This instrumental piece gives you the flavor of Rio de Janeiro’s neighborhood bars and introduces you to the other gems in this collection. Guilherme de Brito, Monarco, Samuca de Mangueira, Casquinha, Hel\u00f4 and others will complete your Rio experience in <i>Casa da M\u00e3e Joana.<\/i><\/p>\n<p>An unpretentious CD, <i>Casa da M\u00e3e Joana<\/i> delivers the most authentic Brazilian sambas with the voices that created them. This is a rare treat! You can listen to some of the track in this outstanding collection at Blue Jackel’s home page.<\/p>\n<h6><\/h6>\n<p>ALBUM INFORMATION<\/p>\n<p><b>Various<br \/>\n<\/b><em>Casa da M\u00e3e Joana<br \/>\n<\/em>Blue Jackel BJAC 5025-2 (1998)<br \/>\nTime: 53’50”<\/p>\n<p>Tracks:<\/p>\n<ol>\n<li>Doce de C\u00f4co (Jacob do Bandolim) (Instrumental)<\/li>\n<li>O Marcos Esteve Aqui (Monarco) \/ Casa de M\u00e3e Joana (Casquinha) – Monarco & Casquinha<\/li>\n<li>Guerreira (Roberto Serr\u00e3o – Guilherme Nascimento) – Hel\u00f4<\/li>\n<li>Cora\u00e7\u00e3o em Desalinho (Mauro Diniz – Ratinho) \/ Eu Agora Sou Feliz (Mestre Gato – Jos\u00e9 Bispo) \/\u00c9 Preciso Muito Amor (Noca da Portela – Ti\u00e3o de Miracema) \/Acreditar (dona Ivone Lara – D\u00e9lcio Carvalho) – Monarco & Samuca da Mangueira<\/li>\n<li>Romance de Mentira (Guilherme de Brito) – Guilherme de Brito<\/li>\n<li>Sou Feliz (Baianinho) \/Arer\u00ea (Bainaninho) \/Nuvem Que Passou (Argemiro) \/O Gorjear da Passarada (Argemiro – Casquinha) – Baianinho & Argemiro<\/li>\n<li>Li\u00e7\u00e3o de Vida (Paulinho Miracema – Celmo Arantes) – Hel\u00f4<\/li>\n<li>Banho de Felicidade (Wilson Moreira – Adalto Magalha) \/Morrendo de Saudade (Wilson Moreira) \/A Cara Do Brasil (Nelson Sargento – Arturo Oliveira) – Wilson Moreira & Nelson Sargento<\/li>\n<li>Dance Conmigo (Cl\u00f3vis do Viol\u00e3o – Ded\u00e9 Para\u00edso – Samuco) – Samuca da Mangueira<\/li>\n<li>A Cobra (Aimor\u00e9 Costa) \/ Cobra Caninana (Jo\u00e3o de Aquino – Herm\u00ednio Belo de Carvalho) \/ Pavio Curto (Darcy Maravilha – Maur\u00edlio Faria) – Nadinho da Ilha & Darcy Maravilha<\/li>\n<li>Meu Amigo, Viol\u00e3o (Alu\u00edzio Dias) – Dorina<\/li>\n<li>As Rosas N\u00e3o Falam (Cartola) \/ O Mundo \u00c9 um Moinho (Cartola) \/ Sim (Cartola – Martins) – Monarco & Hel\u00f4<\/li>\n<li>Tudo Menos Amor (walter Rosa – Monarco) – Monarco<\/li>\n<li>Clementina de Jesus (Z\u00e9 K\u00e9ti) \/ Cita\u00e7\u00e3o de Benguel\u00ea (Pixinguinha) – Z\u00e9 K\u00e9ti & Nadinho da Ilha<\/li>\n<\/ol>\n<p style=\"text-align: right;\">A modified version of this review first appeared in Luna Kaf\u00e9, December 1998.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Authentic Samba Have you ever wondered what it would be like to sit down with some of the greatest samba masters and jam all night long? Well, you can go to Rio de Janeiro and spend Friday and Saturday … <a href=\"https:\/\/musicabrasileira.org\/casa-da-mae-joana\/\">Continued<\/a><\/p>\n","protected":false},"author":11,"featured_media":4220,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","kt_blocks_editor_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Various: Casa da M\u00e3e Joana http:\/\/wp.me\/p3wcV8-15X","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7],"tags":[323,322,206,318,327,313,321,319,317,326,325,320,324,328],"class_list":["post-4213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","tag-argemiro","tag-baianinho","tag-casa-da-mae-joana","tag-casquinha","tag-darcy-maravilha","tag-dorina","tag-guilherme-de-brito","tag-helo","tag-monarco","tag-nadinho-da-ilha","tag-nelson-sargento","tag-samuca-da-mangueira","tag-wilson-moreira","tag-ze-keti"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2013\/07\/casajoana.jpg?fit=338%2C337&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3wcV8-15X","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/4213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/comments?post=4213"}],"version-history":[{"count":3,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/4213\/revisions"}],"predecessor-version":[{"id":4221,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/4213\/revisions\/4221"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/media\/4220"}],"wp:attachment":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/media?parent=4213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/categories?post=4213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/tags?post=4213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}