{"id":1347,"date":"2005-10-06T19:20:20","date_gmt":"2005-10-07T00:20:20","guid":{"rendered":"http:\/\/musicabrasileira.org\/?p=1347"},"modified":"2019-07-21T16:42:56","modified_gmt":"2019-07-21T21:42:56","slug":"arranco-de-varsovia-na-cadencia-do-samba","status":"publish","type":"post","link":"https:\/\/musicabrasileira.org\/arranco-de-varsovia-na-cadencia-do-samba\/","title":{"rendered":"Arranco De Vars\u00f3via: Na Cad\u00eancia Do Samba"},"content":{"rendered":"<h2>Samba Thrust<\/h2>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2013\/06\/avcadencia.jpg?resize=370%2C372&#038;ssl=1\" alt=\"Na Cad\u00eancia do Samba\" width=\"370\" height=\"372\" \/>No, there was no identity crisis with Arranco de Vars\u00f3via. The group&#8217;s first album in 1997,\u00a0<em>Quem \u00c9 de Sambar<\/em>, was an unforgettable debut album quickly followed with\u00a0<em>Samba de Cartola<\/em>in 1998 &#8212; but with the name shortened to Arranco simply. Seven long years later, with the brand new\u00a0<em>Na Cad\u00eancia do Samba<\/em>, the group reverted back to its original name. The original formation was Paulo Malaguti, Muri Costa,\u00a0<a href=\"https:\/\/musicabrasileira.org\/eveline-hecker-ponte-aerea\/\" target=\"_blank\" rel=\"noopener noreferrer\">Eveline Hecker<\/a>\u00a0and Rita Peixoto. Those two releases were a good indication of how good the group is. Both albums got nominated to a Sharp Award in Brazil for best samba albums. Just as the name changed, so did the group&#8217;s formation. Soraya Ravenle was also once a member of it. In this third album, the present formation features Muri Costa, Andr\u00e9a Dutra, Elisa Queir\u00f3s, Paulo Malaguti and Cacala Carvalho.<\/p>\n<p>Throughout the years, no matter what name and formation Arranco de Vars\u00f3via had, one thing never changed. The group consistently made excellent samba albums. The vocal harmonies and arrangements are sometimes reminiscent of Anjos do Inferno or Bando da Lua. Arranco de Vars\u00f3via definitely fills a void with its classy and spirited samba renditions.<\/p>\n<p><em>Na Cad\u00eancia do Samba<\/em>\u00a0packs excitement. Not only is this the first Arranco album in seven years, but the album also has the distinguished honor of presenting two brand new Dorival Caymmi songs (Caymmi turned 91 years old on April 30, 2005). That feat alone would have been enough to make this a magnificent album. Nevertheless, Arranco did not rest on that accomplishment.\u00a0They also recorded sambas by Dona Ivone Lara, such as &#8220;For\u00e7a da Imagina\u00e7\u00e3o,&#8221; and others by great samba composers including Arlindo Cruz, Jorge Arag\u00e3o and Zeca Pagodinho. There is also a nice rendition of Pixinguinha and Benedito Lacerda&#8217;s &#8220;1&#215;0 (Um a Zero),&#8221; with the group&#8217;s vocal prowess put to test singing some of those fast verses. The arrangement starts slowly, but in the final verses, the tempo picks up astonishingly. Lively arrangements abound from the first to the last track. <a href=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2005\/10\/arranco.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1351\" data-permalink=\"https:\/\/musicabrasileira.org\/arranco-de-varsovia-na-cadencia-do-samba\/arranco\/\" data-orig-file=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2005\/10\/arranco.jpg?fit=400%2C243&amp;ssl=1\" data-orig-size=\"400,243\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"arranco\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2005\/10\/arranco.jpg?fit=400%2C243&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2005\/10\/arranco.jpg?fit=400%2C243&amp;ssl=1\" class=\"alignright size-full wp-image-1351\" src=\"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2005\/10\/arranco.jpg?resize=400%2C243&#038;ssl=1\" alt=\"Arranco de Vars\u00f3via\" width=\"400\" height=\"243\" \/><\/a>The two Dorival Caymmi songs are the icing on a most tasteful cake! The first, &#8220;Falou com a Mo\u00e7a,&#8221; will definitely give you chills and thrills. It is almost like hearing Carmen Miranda doing that song. That samba is pure joy in Arranco&#8217;s majestic rendition.\u00a0The other Caymmi song, &#8220;E o Que Me Importa Se Eu Tiro o Domingo Pra\u00a0Sambar?,&#8221; treats the listener to Caymmi himself singing in the introduction. Honestly, it is hard to top that! Well, leave it to Arranco to surprise us one more time before closing the album. &#8220;Sai Dessa&#8221; features A Parede (from <a href=\"https:\/\/musicabrasileira.org\/pedro-luis-e-a-parede-zona-e-progresso\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pedro Lu\u00eds e a Parede<\/a>) in the percussion ensemble. A powerful ending to a superb album &#8212; again!<\/p>\n<p><em>Na Cad\u00eancia do Samba<\/em>\u00a0brought back the wonderful ensemble that Arranco de Vars\u00f3via is. Let us hope that they will not wait another 7 years to give us more great music.<\/p>\n<p>ALBUM INFORMATION<\/p>\n<p><b>Arranco de Vars\u00f3via<br \/>\n<\/b><em>Na Cad\u00eancia do Samba\u00a0<\/em><b><em><br \/>\n<\/em><\/b>Dubas M\u00fasica 325912006579 (2005)<br \/>\nTime: 43&#8217;12&#8221;<\/p>\n<p>Tracks:<\/p>\n<ol>\n<li>For\u00e7a da Imagina\u00e7\u00e3o (Dona Ivone Lara &#8211; Caetano Veloso)<\/li>\n<li>Eu Vou Botar Teu Nome na Macumba (Zeca Pagodinho &#8211; Dudu Nobre)<\/li>\n<li>Falou com a Mo\u00e7a? (Dorival Caymmi)<\/li>\n<li>Tr\u00eas Dias de Ventania (Paulo Malaguti &#8211; Leoni)<\/li>\n<li>Medidas Provis\u00f3rias (Arlindo Cruz &#8211; Babi)<\/li>\n<li>Bad\u00eajo our Bad\u00e9jo (Ronaldo Barcellos &#8211; Charlles Andr\u00e9)<\/li>\n<li>E o Que Me Importa Se Eu Tiro o Domingo Pra Sambar? (Dorival Caymmi) &#8211; w\/ Dorival Caymmi<\/li>\n<li>N\u00e3o Quero Mais (Arlindo Cruz &#8211; Sombrinha &#8211; Marquinho PQD)<\/li>\n<li>Cabelo Pixaim (Jorge Arag\u00e3o &#8211; Jotab\u00ea)<\/li>\n<li>Conselho (Adilson Bispo &#8211; Z\u00e9 Roberto)<\/li>\n<li>1&#215;0 (Um a Zero) (Pixinguinha &#8211; Benedito Lacerda &#8211; Nelson \u00c2ngelo)<\/li>\n<li>Na Cad\u00eancia do Samba (Que Bonito \u00c9) (Luiz Bandeira)<\/li>\n<li>Futebol (Nan\u00e1 Vasconcelos)<\/li>\n<li>Sai Dessa (Nathan Marques &#8211; Ana Terra) &#8211; w\/ A Parede<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Samba Thrust No, there was no identity crisis with Arranco de Vars\u00f3via. The group&#8217;s first album in 1997,\u00a0Quem \u00c9 de Sambar, was an unforgettable debut album quickly followed with\u00a0Samba de Cartolain 1998 &#8212; but with the name shortened to Arranco &hellip; <a href=\"https:\/\/musicabrasileira.org\/arranco-de-varsovia-na-cadencia-do-samba\/\">Continued<\/a><\/p>\n","protected":false},"author":11,"featured_media":1348,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","kt_blocks_editor_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Arranco De Varsovia Na Cadencia Do Samba http:\/\/wp.me\/p3wcV8-lJ","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7],"tags":[75],"class_list":["post-1347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","tag-arranco-de-varsovia"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/musicabrasileira.org\/WordPress\/wp-content\/uploads\/2013\/06\/avcadencia.jpg?fit=370%2C372&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3wcV8-lJ","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/1347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/comments?post=1347"}],"version-history":[{"count":5,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/1347\/revisions"}],"predecessor-version":[{"id":13024,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/posts\/1347\/revisions\/13024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/media\/1348"}],"wp:attachment":[{"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/media?parent=1347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/categories?post=1347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicabrasileira.org\/wp-json\/wp\/v2\/tags?post=1347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}