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- Pedra Bonita (Mário Adnet)
- Keep the Spirits Singing (O'Donel Levy)
- Aquarela do Brasil (Ary Barroso)
- Vera Cruz (Mílton Nascimento)
- This Is for Luísa (Nilson Matta)
- Jeca's Baião (Romero Lubambo)
- Forgive Me (Duduka da Fonseca - Astrud
Gilberto)
- Trio da Paz (Romero Lubambo)
- Cor do Pecado (Bororó)
- Manhattan Style (Duduka da Fonseca)
- Vera Cruz (Reprise) (Mílton
Nascimento)
- Festa de São João (Alfredo
Cardim)
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Produced by Allen Farnham, Brasil From The Inside is a
debut unlike many others. The album clearly reflects the expertise
of these three musicians both individually and in ensemble formation. Trio
da Paz arranged all tracks except for "Pedra Bonita" (co-arranged
with Mário Adnet), "This Is for Luísa" (co-arranged
with Cláudio Roditi) and
"Forgive Me (co-arranged with Toninho Horta). Special guests
added an extra touch to this album, but in all honesty, any listener
can hear that the Trio is a major force in its own. Of course, it
is a nice addition to hear Cláudio Roditi's trumpet and flugelhorn,
JoAnne Brackeen's piano, Herbie Mann's flutes and, of course, Fonseca's
wife, Maucha Adnet on vocals. Her voice adds an extra depth to the
sound created by Trio da Paz.
Howard Mandel wrote an excellent text for the liner notes of this
debut. Here is an excerpt of his introduction.
United, Romero, Nilson and Duduka effect a perfect blend
of melodic lyricism, harmonic adventurousness and rhythmic
flexibility. Their virtuosic interplay is so selfless that
the tasteful additions here of Roditi's burnished brass, Mann's
piquant flutes and Brackeen's fleet keyboard work truly enhance
and expand upon the Trio's intentions, rather than restricting
any one's freedom or muting their originality.
From the opening chords of Lubambo's acoustic guitar in "Pedra
Bonita,"
the listener is transported to what has become the unequalled sound
of Trio da Paz. The interplay in Mandel's words above is evidenced
in each and every track. It is clear how much fun the Trio has performing
the excellent repertoire here. Picking up speed in "Keep the Spirits
Singing"
and "Aquarela do Brasil" is only the beginning of better
things to come. Yes, it gets even better. Nascimento's anthemic "Vera
Cruz" is dazzling. And when Mann's soft flute begins to play in "This
Is for Luísa," the pace changes and allows listeners to
drift into dreamy landscapes. Whether with the waltz arrangement for
Bororó's classic "Cor do Pecado" or the jazz-filled "Manhattan
Style" and the second arrangement for Nascimento's
"Vera Cruz" -- this time as Bossa Nova -- Trio da Paz is
effusive.
E.L.
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