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All tracks by Ary Barroso.
- Morena Boca de Ouro
- Folha Morta
- No Tabuleiro da Baiana - w/ Emílio
Santiago
- Inquietação
- Foi Ela
- Rio de Janeiro (Isto É o
Meu Brasil)
- Isto Aqui o Que É
- Ocultei
- Pra Machucar Meu Coração
- Faceira
- Camisa Amarela
- Na Baixa do Sapateiro
- Aquarela do Brasil
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Letra & Música - Ary Barroso is the third release
from Lumiar Discos entirely dedicated to one composer. Previous albums
covered the works of Antônio
Carlos Jobim (with Leny Andrade & Cristovão Bastos)
and Chico Buarque (with João Nogueira & Marinho Boffa).
The idea behind the series is very simple: focus on one composer's
music and lyrics only, no collaborations. Since Ary Barroso is better
known for the gorgeous melodies he wrote, this album is even more
special because here you also have a chance to enjoy Ary Barroso,
the lyricist. What selections and performances we find in Letra & Música
- Ary Barroso.
Ary Barroso is probably best known for his exultation sambas singing
the beauties of Brazil. In that vein, we have the classics "No
Tabuleiro da Baiana," "Rio de Janeiro (Isto É o Meu
Brasil)," "Isto Aqui o Que
É," "Na Baixa do Sapateiro" and the most famous
of all, "Aquarela do Brasil." In addition to that, Ary Barroso
was also a fantastic songwriter when he wrote about people and emotions.
When he sang about women, you could truly feel the weight in his words.
In "Morena Boca de Ouro," for example, you can experience
the fire that woman brings when she dances and passes by. Rosa Passos'
voice adds a certain vitality to the lyrics with her soft tone and
enunciation. It is all very sensual. Another nice moment in this release
is the smooth duet of Rosa Passos and Emílio Santiago. Their
voices do match very well and make the exchange in "No Tabuleiro
da Baiana" more effective than other artists' attempts. A difficult
thing in any production that covers such a well known composer is the
choice of the repertoire. In the case of Ary Barroso, his works are
so widely known in Brazil that sometimes consumers end up getting the
same song selection from album to album. It is probably because it
is safe to record what the people know well. I am glad that Rosa Passos
stretched those boundaries and gave us a gem such as "Ocultei." Not
only are the lyrics beautiful, but the arrangement is superior. Stamato's
piano solo is gorgeous. Another memorable piano solo is in the classic "Pra
Machucar Meu Coração," except that in this track
Brito is responsible for the beauty in the piano accompaniment. Even
though Lula Galvão is prominently featured in all tracks, it
is nice to see that other musicians get their share of the glory in
this album. Take, for example, Carlos
Malta's flute pirouettes in "Faceira." Very nice indeed.
ALBUM PERSONNEL
Producer: Almir Chediak
Armando Marçal: percussion
Carlos Malta: flutes
Erivelton Silva: drums
Hamleto Stamato: piano
Idriss Boudrioua: alto sax
Jorge Helder: bass
Lula Galvão: acoustic guitar, arrangements
Marco Brito: piano
Rosa Passos: acoustic guitar, arrangements
Sérgio Galvão: soprano sax
Zé Nogueira: soprano sax
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E.L. |
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