The Samba of Paulinho da Viola is an effective medicine to kill those
heartbreaking feelings of saudades. It brings you right back to Rio and
its music. One of Paulinho's secrets is that he never surrendered to any
commercial seduction. He is said to have left Portela's Escola de Samba
as a composer because he felt they were becoming too commercial.
Teresa Cristina seems the right person to pay tribute to the master.
On her double album she performs Paulinho's compositions in the most
honest way possible. With her accompanying band Grupo Semente she
sings her way
through 26 of his compositions. Grupo Semente (João Callado, cavaquinho;
Ricardo Cotrim, surdo; Pedro Miranda, pandeiro; and Bernardo Dantas,
violão)
sounds very authentic, thanks to their own uncomplicated arrangements.
Teresa Cristina has a lovely samba voice with an unmistakable touch
of nostalgia. Of course there are compositions of Paulinho that are
very hard
to interpret. They are so well known performed by the master himself,
that any rendition sounds less than the original. But Teresa succeeds
in keeping things pleasant from track one through track 28. Also
because at strategic important moments the "show" is interrupted
by two instrumental renditions and various outstanding guest appearances.
On disc one we get an instrumental ("Choro Negro") which features
Paulão
7 Cordas (who also produced the album) and Kiko Horta on the accordion.
The song comes right after a wonderful version of "Para Um Amor No
Recife." On disc two the instrumental "Inesquecível" adds
flutist Eduardo Neves to the guest list. Other guest performers are
Paulinho da Viola himself on the beautiful "Depois de Tanto Amor." Followed
by another well chosen performance by the Velha Guarda da Portela,
joining in on "Coisas Banais," where the cuíca of Ovídio
Brito completes the warm samba feeling. Also among the highlights
on the cd set are the openers of each disc. "Meu Mundo é Hoje
(Eu Sou Assim)" and "Argumento" show the intentions Teresa
is trying to achieve: performing the music very close the composers
ideas. "Para
Não Contrariar Você" is accompanied in the most wonderful
way, a true joy. "Tudo Se Transformou" welcomes the voice of
72 years old Elton Medeiros, sounding just great with the young singer.
Grupo Semente is offered a solo spot on the lovely medley "Conversa
de Malandro/ Responsabilidades", with Pedro Miranda doing the vocals.
The clarinet of Rui Alvim changes the color a bit on (a.o.) "Amor à Natureza" and "Minhas
Madrugadas," as does the trombone of Roberto Marques on "Pecado
Capital" and a wonderful medley rendition of "Guardei Minha Viola/
Jurar Com Lágrimas." It's only on "Sentimentos" that
Teresa seems a bit uncomfortable with the phrasing.
This is a very promising debut album by one of the younger singers
of the samba repertoire. A nice extra are the chord settings for
each song. Teresa Cristina delivers a most enjoyable tribute to
the music of Paulinho
da Viola here, in her own unpretentious way. A gem.