Brazilian music, whether vocal or instrumental, seems to have world appeal.
Whether in New York or Japan, you will likely find excellent musicians promoting
what is best about Brazilian music. Sometimes the performers are Brazilian
themselves. However, what makes music so unique is its capability to cross
borders and yet maintain a national identity. Here is one such
release.
First Dream, produced by Steve Sacks and Kimson Plaut, is a perfect
example of Brazilian instrumental music spiced up with haunting vocals. All
music and lyrics were written by Steve Sacks, who also performs saxes and
flutes. Sacks is no stranger to Brazilian music. This jazz saxophonist and
musicologist has performed with giants such as Flora Purim and Airto Moreira,
Astrud Gilberto, Elza Soares, Margareth Menezes, Toninho Horta, Lisa Ono,
and he was also the producer of Ana Caram's Maracanã and Bossa
Nova releases and Kimson Plaut's Ubatuba. With such credentials,
when I first heard of First Dream, I knew what to expect. However,
what I did not know was that First Dream would surprise me even more
than I had anticipated.
First Dream, in Sacks's own words, is a collection of music he wrote
but never had the chance to record previously. The album mesmerizes by including
both vocal and instrumental Caribbean rhythms along with ballads and rhythms
from the Brazilian Northeast. The opening track, "The Garden of Earthly
Delights," is a lively mixture of jazz, mambo, and forró. This
infectious rhythm combination sets the stage for Sacks' solos as well as
other members of his band (Vanderlei Pereira on drums, Frank Colón
on percussion, Dario Eskenazi on piano, Paul Meyers on guitar, and several
others). In "Comunhão," Manny Moreira presents the first
vocal of the album in a reggae with the same captivating beat as some of
Djavan's best tunes. Greg Skaff's guitar solo has a special place in this
song as it precedes Sacks nice, smooth soprano sax interlude. Then we hear
the heavenly voice of Vanessa Falabella in "A Glória da Vida." The
introduction featuring Dario Eskenazi's piano and Kimson Plaut's accordion
solos is soothing, as is Falabella's vocals. She repeats her magic again
in "Ser Feliz," another soft ballad with childlike qualities of
innocence and purity. The simplicity of this arrangement is entrancing. Sax,
piano and cello (by Richard Bamping) are perfectly interwoven to bring out
the strength of the lyrics. Another sublime moment in First Dream surfaces
with "Open Door." It is hard to put into words the beauty of Sacks'
flute solos in this most captivating instrumental number. "Open Door" evolves
into a slow frevo at one point and then switches into a sumptuous, effervescent
bossa nova.
Steve Sacks opens more than just doors with First Dream. He artistically
and skillfully exposes the vast universe of Brazilian music for your ears
delight. First Dream, as its music so vividly states, is a garden
of pleasures and a world of joy.
For more information on the album and artist, please visit Steve
Sacks's
web site.

Egídio Leitão
A modified version of this review first appeared in Luna Kafé,
12/22/99.