There is no doubt about the status of Os Paralamas do Sucesso:
the band from Rio is a personification of Brazilian rock. The band
was formed by childhood friends Bi Ribeiro (1961) and Herbert Vianna
(1961) in the late 70's. Vianna (guitar and vocals) convinced
Ribeiro to buy a bass guitar, while drummer Vital completed the trio.
Vital left; João Barone (1962) took over the place behind
the drums in 1981 and success started. A demo, given to Radio Fluminense,
led to a still lasting recording contract with EMI. Their first album,
the 90,000 copies selling Cinema Mudo in 1983, marked
the beginning of a long journey through Brazilian Rock. A journey
during which a few side-roads were taken. Like the London recorded
album Severino (1994), which was ignored by Brazilian
radio stations and maybe their worst selling album, although critics
were almost unanimously raving about it. Strange enough the live
album of the Severino tour was among the band's best selling albums
(VamoBatêlata, 1995, sold at least 900,000 copies).
As a true rock band, lyrics often expressed social and political
abuses. The song "Luís Inácio (300 picaretas)" was
even forbidden to be performed at concerts in Brazil's capital Brasilia.
That song put the National Congress of that time in a rather bad
light (appearing on the extra bonus album with VamoBatêlata in
1995) .
After 22 years on the road, Paralamas decided to tour around with
a show based on the repertoire throughout those years, at the same
time celebrating the recovering of Herbert Vianna (after a terrible
accident in 2001). The tour was recorded in perfect conditions, resulting
in superb sound quality. Fans are given the choice between a DVD,
a double cd or a single cd (or, for the die hard fans a double cd
with DVD). The double cd gives a wonderful overview of Paralamas
career. The songs are performed in trio setting as well as with the
extended touring band, joined by long time friends João Fera
(keyboards), Monteiro Jr (saxophones), Eduardo Lyra (percussion)
and trombonist Bidu Cordeiro. During the almost two-hour show, well
chosen guest musicians show up, contributing to the musical variety
on this fantastic album. The hit songs from the ten studio albums
are performed with the enthusiasm Paralamas is so well known for.
Edgard Scandurra (from the band Ira!) is the first guest.
The aggressive rock style of this left handed guitarist fits perfectly
in the two songs he joins in: Paul Weller's "Running on the
Spot" and Fito Paez's "Trac-Trac." Though it's amazing how full
the trio sound of Paralamas is, highlighted in "Selvagem."
This is one of the songs that shows how well Paralamas matured. The
compositions survived the ravages of time, as did the musicians.
Bi Ribeiro's bass sounds even more playful; Barone shows why he's
definitely among Brazil's best drummers (although his snare drum
may sound a bit too tight tuned on this album) and Vianna confirms
his talent on both guitar and vocals. His guitar solos are strong
and underlining the sentiment of the songs. Next guest is Dado Villa-Lobos,
the guitarist from that other legendary band, Legião Urbana.
Their music pays tribute to the very strong Renato Russo
composition and representative song of the 80's "Que País
É Este."
Nando Reis (Titãs) adds his recognizable voice to reggae influenced "Tendo
a Lua." Bi Ribeiro shows his very skilled talent to play reggae
(he formed his own band Reggae B during the forced time-out of Paralamas,
after Herbert Vianna's accident). On disc two the horns and keyboards
do their entrance. One of the featured guests is Kid Abelha's George
Israel on saxophone. Funny how the three members of Kid Abelha always
sound their best when not performing with their own band... Roberto
Frejat, guitarist and vocalist of a band that also wrote history
(Barão Vermelho with the late Cazuza) leaves his marks on
the two songs he's invited for. In "Caleidoscópio" the
two guitarists trade solos, unfortunately a bit too separated in
the mix. Djavan surprises on "Lanterna dos Afogados" and "Uma
Brasileira" (from the album VamoBatêlata,
on which he was guest too in that song). The rendition of "Afogados" is
beautiful: perfect guitar solo, wonderful saxophone solo, supported
by a delightful organ and very attentive drumming. Another Titãs
band member, Paulo Miklos, is a guest on "O Beco." Sepultura's
Andreas Kisser spices up the album's closing bonus song "Mensagem
de Amor." The guitarist puts some extra flames under this already
burning song. A bonus song, it was taped during another performance
at the giant Ibirapuera Park in São Paulo, August 2003, while
the rest of this album is taken from a show at the Olympia in São
Paulo, on November 14th, 2003.
This double cd is a true document
for all Paralamas fans, while it gives a representative collection
of their hits for anyone who wants to learn more about this superb
trio.