What is left to say about a consummate artist who has recorded with
a world renowned list of performers ranging from classical to pop
and including bluegrass and jazz? Mike Marshall is an accomplished
mandolinist who has played and recorded with David Grisman, Andy
Narell, Joshua Bell and Bela Fleck just to name a few more recognizable
artists. However, since 1996, when he released Brasil (Duets),
Marshall has had the choro "bug" in his veins. In 2003, together
with Jovino Santos Neto, he released the magnificent Serenata
- The Music of Hermeto Pascoal. What is probably not widely
known is that Marshall's passion for Brazilian music has
gone beyond playing it. In order to assist other artists who also
share the same passion, Marshall created Adventure Music, a label
that covers all of Brazilian music, "from samba and jazz to folk
and world beat," he says.
After
the recording with Jovino Santos Neto, Marshall decided to form the
Choro Famoso group. Besides him on mandolin, Carlos Oliveira and
Jamie Bell play 6- and 7-string guitars, Andy Connell and Harvey
Wainapel are on clarinet and sax, leaving the percussion in the
able hands of Michael Spiro, Brian Rice, Aaron Johnston, Dennis Broughton
and Steve Robertson. With such fine ensemble, deciding on the repertoire
was the next major step. As vast as the choro songbook is, Marshall
had a hard task in his hands. His choice in music for this release
could not have been better. He was naturally drawn to the cream of
the crop and included music by the greats, such as Jacob do Bandolim,
Zequinha de Abreu and Severino Araújo, without forgetting more contemporary
names as is the case of Amilson Godoy and Paulinho da Viola. In the
end, Mike
Marshall & Choro Famoso is a beautiful, homogeneous piece
of choro music.
The light and bouncy opener, "Um Abraço Seu Domingos," is
a choro not often heard, but certainly worth of more performances.
Classics such as "Cochichando," "Receita de Samba" and "Noites
Cariocas" (all
by Jacob do Bandolim) are performed here with such competence that
incredulous ears might wonder whether these guys have not been playing
choro all their lives. Of the two Paulinho da Viola tunes included
here, "Choro Negro" is definitely my favorite. Marshall's
mandolin solo is sublime. He plays that song very softly and yet
passionately. In "Espinha de Bacalhau," Connell's clarinet
solo is captivating, particularly in the staccato notes. The same
goes for Bell's and Oliveira's guitar solos in "Não Me
Toques." Closing the album, the
high energy of "Luís Americano na P.R.E. 3" will
leave you begging for more from this fine ensemble.
Read more about and hear samples
of this album here.

Egídio Leitão
July 2004