Of all the things Japan, the U.S. and Brazil have in common, Minaswing stands
out with its nice combination of talent and vitality.
The band, formed by Silvio
Anastacio (guitar, lead vocal), Paulo Cesar Gomes (piano, keyboards,
vocals), Masami Hattori (percussion), Satoshi Ishikawa (drums, percussion),
Kiichirou Komobuchi (bass) and Steve Sacks (saxophones, flutes, clarinet,
vocals) has released its first album, Beautiful Horizon. The clever
word play between the band name and Minas Gerais capital, Belo
Horizonte, is a good indication of the music you will hear in this
recording.
| Minaswing draws strongly on Milton Nascimento's famous
Clube da Esquina music. From the gorgeous cover art work depicting
the mountainous terrain of Minas Gerais to the liner notes -- complete
with
all lyrics, personnel, photos and an introduction by Lisa Ono!
-- Beautiful
Horizon wins your heart and ears at the very first track. Milton
Nascimento and Ronaldo Bastos's "Circo Marimbondo" and "Catavento" are
arranged as a bouncy samba rich in percussion and vocals. The opening
drumming -- the famous tambores de Minas sound -- is so entrancing
that no matter where you are, you will move to the beat naturally.
The song is a great opener not only because of its rhythm, but
also because it allows all musicians to showcase their talents
in several solos. |
To my good friends in Minaswing:
You are a beautiful voice
singing a beautiful song, wrapped in many-colored sounds,
and within me a new treasure is formed. Because Minas is
a treasure of sorrow. Because the heart danced and sang.
Spreading the wings and flying high through the
sky...
Teaching us all that the everyday scenery turns
to amber in an instant...
And bringing this feeling to us all...
This magnificent feeling...
A big kiss from your
mom,
Lisa Ono
|
Beautiful Horizon cleverly mixes well-known tunes, such
as "Circo Marimbondo," "Ponta de Areia" and "Encontros
e Despedidas,"
with original numbers by band members, including vocal and instrumental
songs. The repertoire is very well balanced. For example, "No Vento" is
a nice, slow samba written by Anastacio and Komobuchi. The keyboard
arrangement in this track is very much
influenced by Cesar
Camargo Mariano's style.
Anastacio's vocal is smooth and well delivered. He does not attempt
to overdo his singing and simply gives the song the right treatment.
Sacks also contributes a song, "Comunhão," which was previously
featured in his 1999 First Dream album (then in a reggae arrangement).
The nice xote arrangement gives the band a chance to move from the
interior of Brazil to the northeast coast. One of my very favorite
Flavio Venturini's
songs receives a
very elegant arrangement, too. "Nascente" is beautiful and was
recorded by several singers in Brazil with Milton Nascimento's rendition
in
his 1978 Clube da Esquina 2 probably as the one everyone remembers
the most. This arrangement takes the song to new heights
thanks to the sparse
string use, Sacks' solo and the swaying Bossa Nova tempo.
Before closing this excellent album with a haunting performance of "Ponta
de Areia," Minaswing does what its name states. Two great swinging
numbers get you moving again. "Vôo de Avião" features
a great acoustic guitar accompaniment supported by brass and percussion.
A lively samba, this
song really lets loose and leads you into Toninho Horta's classic "Aquelas
Coisas Todas." The beat goes on and takes Minaswing forward and farther.
Simply put, Beautiful Horizon swings with innovative arrangements
and captivating performances.
For more information on the album and artist, please visit Steve
Sacks's
web site.

Egídio Leitão