This year one of the most successful pop bands in Brazil celebrates
20 years of existence. That is indeed something to mention. Thus,
it was a good opportunity to combine the jubilee with the invitation
by MTV to be the next band for the famous Acústico series.
Kid always likes to mix instruments with electronics, so one might
wonder what happens when the band plays acoustic. The CD Meio
Desligado (1994) is semi-acoustic, but certainly their best effort
so far.
The trio decided to play it safe. The arrangements
are close to the original. George Israel only plays the saxophone
during a few occasions, and he's mostly on the acoustic guitar or
bandolim. Bruno Fortunato shines on acoustic guitar and bandolim,
too. And in the wonderful center of it all is the voice of lyricist
Paula Toller. If you compare her voice now with how she sounded twenty
years ago, you can only say she matured in the most beautiful way.
She sounds wonderful on each and every song. As does the whole band;
the guitarists form a perfect background, while the bass (Rodrigo
Santos) and drums (Kadu Menezes) complete the line up in that same
perfect way. Humberto Barros changes from piano to accordion to organ
(which seems to be counted among the acoustic instruments). And then
there is Ramiro Musotto who proves the band doesn't need electronic
percussion to sound good. On the contrary; it's a delight to hear
real percussion instruments.
A few highlights on the album are the wonderful
renditions of the band's classics like "Na Rua, Na Chuva, Na
Fazenda." Lenine is a guest vocalist on this song, and you can
hear he likes singing in a duet with Paula Toller. He sounds more
polished than we're used to. Another big hit is "Grand' Hotel."
This composition in treated with a lot of respect. Beautiful intro,
mellow and soft, gentle saxophone solo: Kid Abelha sounding at its
best. "Eu Tive Um Sonho" sounds fresher than the original
recording. Paula is accompanied only by piano on Leoni's "Os
Outros," a beautiful feature. Second guest is Edgard Scandurra
(Ira!), and a welcome one. His voice sounds great together with Paula
Toller. The absolute highlight on this CD is the guitar accompaniment
in "Mudança de Comportamento," written by guest
Edgard Scandurra. He sings a great second voice. "Brasil"
is made famous by Cazuza and played here as a tribute to the late
rocker, with lead vocals by George Israel and an accurate horn section.
"Amanhã é 23" is another beautiful ballad
on which the vocalist shows she's more than a pop singer.
This is just a wonderful album by a successful
pop band, and the songs are performed without any adventurous intentions.
Maybe that's how the fans like it. They're remarkably attentive, you
hardly hear them... But there's the lack of that little "extra"
that could have made this an exceptional album instead of a pretty
good one! As a bonus, Paula sings a secret message to us a few minutes
after the music stopped.