Being one of the most significant voices in
the Tropicália movement, Gal Costa celebrated her 30th anniversary
with Acústico MTV, a live recording done in July 1997 as part of
the MTV Brazil acoustic concert series.
Tropicália revolutionized Brazilian music. Rebelling against
fixed norms, the movement mixed elements of rock and roll with typically
Brazilian musical styles. At the forefront of this movement, the
names of Caetano Veloso, Gilberto Gil and Gal Costa are always mentioned.
Gal, in particular, was instrumental in maintaining the idealism
of Tropicália alive when Caetano Veloso was exiled in London.
She literally became the voice of the movement by singing Caetano's
songs while he was away. One such song can be found in this release:
"London, London," where Caetano Veloso laments living in that
strange land where he knows no one. Days and seasons pass by, and
all he does is wander "round and round ... nowhere to go."
Acústico MTV spans Gal Costa's career very thoroughly.
What is very different here is the presentation of the material.
Backed up by a lush orchestra (the Petrobrás Pró Música
Orchestra), some of Gal's old hits have a beautiful new sound. Even
some of her early songs, such as "Baby" and "Não
Identificado,"
are more subdued. As a whole, the CD does show a more mature and
secure performer. As added bonuses, Gal invites a few guests to sing
with her. Having introduced Luiz Melodia to Brazil, Gal brings him
back in "Pérola Negra," one great moment
in the CD. Continuing the list of guests, Gal then introduces a new
name in 1997: Zeca Baleiro. Their duet in "A Flor da Pele" is hauntingly
beautiful and the most beautiful track in Acústico
MTV.
Targeting the younger MTV crowd, two names from Brazilian rock lend
their voices in two additional duets. First, Herbert Vianna joins
Gal in his own "Lanterna dos Afogados."
Then, Frejat joins the diva in Caetano Veloso and Mílton Nascimento's
"Paula e Bebeto." Though a little awkwardly, the two pull off
a good performance. A third of the CD contains compositions by Caetano
Veloso, but Gal also included her other hits by Brazilian greats,
such as Dorival Caymmi's "Só Louco,"
Roberto Carlos and Erasmo Carlos's "Sua Estupidez,"
Geraldo Pereira's "Falsa Baiana," Gilberto
Gil's "Barato Total" and Ary Barroso's "Camisa
Amarela" and the world-renowned "Aquarela do
Brasil."
Acústico MTV is a significant release in Gal Costa's
career. It should please both Gal's fans and people unfamiliar with
her work. She is not breaking any new ground here, but Acústico
MTV proves what solid career Gal Costa has maintained throughout
these years. She confidently thinks of herself as one of the top
two performers in Brazilian music nowadays (the other being, she
says, the incomparable Maria
Bethânia). If you listen to Acústico
MTV, you will simply have to agree with her.

Egídio Leitão
March 2004
A modified version of this review first appeared
in Luna Kafé, March 1998.