It might surprise you that Felipe Oliveira is only 17 years old.
Who is this performer born in the northeast of Brazil (in
Fortaleza), an area most definitely not known for its jazz traditions?
He started his musical education at the young age of seven. Though
at first he was studying piano, he fell in love with the clarinet
in high school, and the rest is the beginning of a very promising
career as a sax player. Oliveira truly is a name to keep in mind,
especially since Musiconauta,
his second CD, just won the 2002 Prémio Nelsons for best instrumental
release, and Oliveira himself was also voted the best instrumental
composer in the same awards. This feat was preceded in 2000, when
Oliveira took home similar awards as a new artist and songwriter
in the instrumental category. Not bad for a 15-year-old kid then.
Citing among his favorite musicians Paulo Sérgio Santos (clarinet),
Paulo Moura (sax and clarinet), João Donato (piano), John
Coltrane (sax) and an array of who's who in the jazz world, Oliveira
brings solid performances in this well-produced album of originals
and standards.
The real surprise in Musiconauta, though, is that Oliveira
writes a lot of his own stuff and that he plays like a pro. Musiconauta packs
excitement. The wake-up call to Brazil, "Desperta, Brasil," is
appropriately chosen as the opening track to carry the album. The
fast tempo is held in place by Hoto Júnior's bouncy percussion
and Rian Batista's groovy bass, while Márcio Resende's dazzling
flute solos alternate with Oliveira's awesome performance.
He
grabs your attention then and won't let you down for the nice 70-minute
plus duration of the album. In addition to these fine musicians,
other members of Oliveira's band include Ítalo Almeida (keyboards),
Denilson Lopes (drums), Cristiano Pinho (guitars) as well as special
appearances by Luiz Duarte (drums) and Jeff Gardner (piano).
Though Oliveira shows excellent command on the up tempo songs in
Musiconauta, one cannot miss his superb phrasing on soft
tunes, too. The first example is with Djavan's "Esquinas." After
a short piano introduction by Almeida (he's Marimbanda's
keyboardist), Oliveira softly warms the scene and sets the arrangement
on fire with a spirited, and yet gentle, solo. The same sensuality
is repeated with Oliveira's own "Dança das Nuvens." Here
he's joined by Márcio
Resende's tenor sax, who also features his own "Passeio de Barco."
The title track, "Musiconauta," is a smooth bossa nova
showing once again Oliveira's fine music writing skills.
The alto sax is not Oliveira's only specialty. He is also impressive
on the clarinet as heard in "Aluarte," "Suave" and "Sorrindo
do Congresso."
Incidentally, David
Duarte guest stars on the guitar in "Aluarte." Marimbanda's
drummer Luiz Duarte arranged his own "Suave" and also plays
the drums in that track. Yet another fine Duarte tune is "Correnteza," with
Oliveira back soloing his alto sax. A spicy track, "Sorrindo
do Congresso"
is lively and pairs up Oliveira's dazzling clarinet with Carlos Patriolino's
remarkable mandolin accompaniment. The U.S. standard "My One
and Only Love" closes the album with Oliveira in a duet with
pianist Jeff Gardner. Piano and sax compliment each other in this
beautiful arrangement. Prior to that, two soulful songs must still
be mentioned: Gardner's own "Donatiando" and Tom Jobim
and Aloysio de Oliveira's
"Dindi." The former, as the name implies, does have a delicious
João
Donato flavor in its beat and Gardner's piano solo. As for "Dindi,"
I am at a loss for words to describe the moving arrangement created
by Almeida. He also plays the piano on that track and provides the
only subtle accompaniment for Oliveira's performance.
Musiconauta is like the poem inspired by "Dança das Nuvens,"
by Paulo Roberto. The chords and notes Oliveira plays in this album
fill the air with sounds to calm our lives and lift our spirits.
Oliveira dances at ease whether playing the sax or clarinet, and
when he adds his own writing talents to the pot, the result is even
more fulfilling.
To learn more about Felipe Oliveira and hear samples
of this album, please visit his website.

Egídio Leitão
March 2004