Brazilian superstar Djavan needs no introduction when it comes to
world music. Along with Milton Nascimento and Ivan Lins, Djavan has
crossed Brazilian borders and reached the world market with his blend
of pop and jazz. Even if Portuguese lyrics may not be understood
by all, Djavan's masterful word usage is truly unsurpassed in Brazilian
music. He can play with sounds and create rhythms totally unique.
Music and lyrics interweave seamlessly in perfect fusion.
Bicho Solto XIII is Djavan's thirteenth release, as the
number in the title indicates. Having gone through a divorce prior
to releasing that album, Djavan does not try to hide that new stage
in his life. His lyrics are more powerful exactly because he can
draw on those new emotions. Passion is more primal than before. Fatalism
seems to be ever present. A constant theme presented here is that
of confusion, with lovers giving wrong signals and relationships
unfulfilled. In the opening track, "Eu
Te Devoro," Djavan deals with how unpredictable a lover can be.
Extending that theme, he fatalistically looks at life in "Você É."
He explores the potential in each of us and convinces all to give
it all in life. The powerful message is that you are, you want, and
you can reach your goals in life. Swinging from an upbeat to a more
mellow mood, "Passou" is a beautiful ballad
with the brokenhearted lover admitting that romance is over. What
has passed is over now. Thinking of the other lover is no good. The
lyrics carry the directness in verses that compare the Swedish cold
weather with the lush Brazilian tropical forests -- two worlds apart.
A bluesy beat follows with "Atitude." The confusion
of emotions is back. If before the lovers were opposites, now nothing
seems impossible. If in the opening track, Djavan was the animal
devouring the lover, here the woman is the invader.
A couple of new partnerships emerged in Bicho
Solto XIII.
Djavan teamed up with Brazilian rapper Gabriel o Pensador and with
forró master Dominguinhos. The result with Gabriel o Pensador
is a funky lesson of life in "A Carta" with sharp
and incisive words. The same theme is repeated in Dominguinhos and
Djavan's "Retrato da Vida." The difference,
though, lies on the softness of the melody as well as what life means
in the endless country side landscape. Whereas in "A Carta"
life can be like a prison or a bird cage, in "Retrato da Vida" life
is the openness of vast lands and love in secret.
Two other surprises appear in Bicho Solto XIII. Djavan's
own daughter, Flávia Virgínia, contributes the only
non-Djavan song in this album. The song is "Be Fair" (in English).
The other surprise is the remake of Djavan's own classic hit "Meu
Bem-Querer." If in the beginning, there was doubt
in love, this closing track eliminates that uncertainty with a recipe
for the kind of lover that mixes a bit of sin with a tad of emotion.
That is the secret potion for Djavan's beloved one.

Egídio Leitão
June 2004
A modified version of this review first appeared in Luna Kafé, March
1999.