Sometimes it's surprising when an instrumentalist releases a solo
album. Lui
Coimbra is a good example of such a surprise. For decades the Rio
born
cellist was a remarkably well talented musician, accompanying great
singers
such as Ney Matogrosso (as part of Aquarela Carioca on Ney's As
Aparências
Enganam), Zizi Possi, and more recently Zeca Baleiro and Alceu
Valença.
The surprise is that someone we "only" know from his skills
on an
instrument, turns out to be a gifted vocalist as well.
Lui Coimbra
leaves no
room for any doubt. He starts the album very self-confident a capella,
with
a sonnet by Maria Quintana which he put to music. Halfway through
the song
the cello confirms the talent we were already familiar with. Within
two
minutes a statement is made: Lui Coimbra is not only a fantastic
cellist,
but also a noticeable singer and composer. What a way to start
a first
solo album! And the surprises continue. Together with Zeca Baleiro,
Lui put
Portuguese words to Sting's "Fields of Gold." Not the easiest
song to cover.
How beautiful does Stings own rendition sounds (with, by the way,
Brazil's
other cello giant Jacques Morelenbaum in the band)! However right
from the
start it's clear that this version, "Ouro e Sol," undoubtedly can
be placed next
to the original. The song lends itself perfect for an arrangement
that puts
the cello and percussion in the frontline. "Flores de Amsterdã" shows
the
romantic side of Coimbra. On this own composition (both music and
lyrics)
Edu Szajnbrum accompanies on percussion; Coimbra is on the cello
and
guitars. From his Aquarela Carioca period we already knew Lui Coimbra
is a
wonderful guitarist as well.
His love for the more traditional music
forms
from Brazil is shown in the cirandeira (circle dance song, originated
from
Portugal, folkloric in the Northeastern state of Pernambuco) "Minha
Ciranda," by Capiba, the singer composer from Pernambuco who
died on 1997 at
age 93. "O Idiota desta Aldeia" is another beautiful sonnet
by Mario
Quintana, the important poet from Rio Grande do Sul, and put on music
together with Admar Branco. Milton Guedes on the harmonica and Marcos
Suzano
on tablas, giving the song an extra colour. A very northeastern
colour is
painted on Pedro Luís "Fazê o Quê."
Lui Coimbra puts aside the cello and
replaces it with the rabeca,
the traditional violin. Nana Vasconcelos is guest
on the zabumba (the
bass drum from the northeast), Marcos Suzano on pandeiro (similar
to the tambourine) and Murilo O'Reilly on other percussion, while
the keyboards are played by Alex Meirelles. A folkloric song from
the state
of Minas Gerais, "Peixe Vivo," is adapted and shows Lui Coimbra on
the
charango,
the little ten string guitar from the Andes, giving the song a
typical opening. "Onde Mora o Sol" is of the same beauty
as the title song "Ouro e Sol." Wonderful cello lines
with Marcos Suzano shining on drums and
percussion. "Estrela do Oriente" finds another guest appearance
by Nana
Vasconcelos on various percussion and adding voices. Alex Meirelles
is on
piano, Marcos Suzano on percussion, Cassio Cunha is lent from Alceu
Valença's
band on drums, Paulo Muylaert on guitars and Fábio Russi on
bass. The album
closes with a remix of the opening "Astrologia," mixing
various styles of
Brazil's northeastern music tradition, with a guest appearances
by the
wonderful Toninho Ferragutti on accordion and Tuco Marcondes on sitar,
banjo
and 12-string guitar.
A very nice piece of work, this first solo effort by Lui Coimbra
confirms
his exceptional talent on a wide scale of musical activities.