I often think that what makes a song Brazilian goes beyond melody, instrumentation,
and rhythm. There is also that special Brazilian
way, the jeitinho brasileiro, to capture music and make it distinctly
Brazilian. Furthermore, there are lyrics. Yes, words in Brazilian music are as
important as everything else. Take, for
example, Cantos da Palavra, a multifaceted independent release with the
obvious word play in its title and deep, multiple
meanings.
Cantos da Palavra features the songs of Marcelo Sandmann and Benito
Rodriguez. Unlike what one would expect, Sandmann and Rodriguez are not professional
musicians. Well, at least in the sense that they make a living as literature
professors at Universidade Federal do Paraná, a southern Brazilian
state. Of course, upon listening to this CD, you will be convinced of the
serious musical proposition made by these two artists. The words, as implied
in the CD title, are the focus here, but to make Cantos even more
astounding, Silvia Contursi lends her beautiful, soulful vocals to these
tracks. The result is a fountain of creativity in Brazilian popular music.
It is really no surprise that Jornal do Brasil's music critic Tárik
de Souza listed Cantos as a release that "injects rhythmic, melodic,
harmonious, and poetic subtleties." The music is varied and vibrant. The
lyrics are intense and profound.
Paulo Brandão, member of the group Aquarela Carioca, arranged
and produced the 14 tracks. Besides Sandmann, Rodriguez, and Contursi,
several other musicians contribute to the group, including Grace Torres,
Sidon Silva,
Antonio Saraiva, as well as more familiar names, as is the case of
Paulo Malaguti (of Arranco). Cantos da Palavra is samba, samba-funk
(with samplers), frevo, pop, hip-hop, and more. Very eclectic and yet homogeneous.
The opening track, "Cisco," starts off with a progressing alliteration
enhancing the strong rhythmic and pulsating beat, an effect compounded
by the solid bass line. The words by themselves could be music without
notes. On another track, "Samba Danado," there
is a direct reference to Dorival Caymmi's lyrics "quem não
gosta de samba, bom sujeito não é." Besides closing the circle
between the new and traditional, these lyrics are like literary cannibalism,
lending
themselves to a
similar proposition as the Tropicalista movement, where the incorporation
of foreign
elements into Brazilian music made itself present. Here, traditional
elements morph with electronic samplers impressively!
Then there is "www.infolia.com.pc," a cybernetic frevo as I would describe
it. The rhythm is infectious as traditional frevo, but the words are
light years ahead. It's definitely a frevo in the best Carnaval style,
but with
a percussive and electronic accompaniment. As expected, the lyrics
are all about cyber terminology.
The title track, "Cantos da Palavra" is an all-acoustic samba tribute to
Brazilian greats: Ernesto Nazareth, Pixinguinha, Cartola, Ary Barroso, Nelson
Cavaquinho, Chiquinha Gonzaga, Carlos Lyra, all the way to the present.
Besides
being
a music history lesson, it is a very festive and swinging samba.
Cantos da Palavra expands the Brazilian music horizons beyond the
comfortable geographical zone of Rio de Janeiro - São Paulo. The music
is much more than the notes and words you will hear. Every time you play
this CD, a new meaning will unfold. Novel, traditional, electronic, acoustic,
Brazilian, World -- Cantos da Palavra is everything.

Egídio Leitão
A modified version of this review first appeared in Luna Kafé,
9/25/99.