A remarkable album! Guilherme de Brito performs the songs that
made him famous and were made famous by the many big names in Brazilian
music who highlighted his compositions in their repertoire. Guilherme
de Brito doesn't record his own songs very often, but for this occasion
he wanted to review his own career as a composer. It was in the mid
50's that the composer/singer met Nelson Cavaquinho, an encounter
that would result in a very fruitful and lasting partnership, until
the death of Nelson Cavaquinho in 1986. Guilherme de Brito, born
in 1922, always has an open mind towards young musicians. He recorded
his and Nelson's "Erva Daninha" with the late Cássia
Eller, to name an example. When he heard guitarist Zé Paulo
Becker perform "Folhas Secas," this album's producer Moacyr
Luz got the bright idea to invite Trio Madeira Brasil to accompany
Guilherme. An invitation that also links up with presence of young
musicians on the samba scene these days, musicians such as Teresa
Cristina and Rabo de Lagartixa.
Trio Madeira Brasil consists of three more than talented
mostly young musicians. Zé Paulo Becker (born in 1968) on
the acoustic guitar; Marcello Gonçalves
(1972, also member of Rabo de Lagartixa) on 7-string acoustic guitar and Ronaldo
do Bandolim (1950, not that young anymore, also member of Época de Ouro)
on mandolin. The trio is responsible for the attentive arrangements of the Nelson
Cavaquinho/Guilherme de Brito compositions. The voice of de Brito is treated
with the respect that it deserves. It is normal that the voice of a (then) 80-year-old
singer shows some signs of time. But also thanks to the arrangements and the
sober instrumentation, it only adds to the nostalgia this music breathes. There
is a perfect balance between the vocal lines and the guitars. Like the title
song of this cd, "A Flor e o Espinho" (composed in 1957), where
the arrangement of Zé Paulo Becker frames the gentle voice of de Brito
in the sweetest way.
The first composer de Brito worked with after Nelson Cavaquinho
passed away was Raimundo Fagner. He is invited to join in on their
composition "Distância."
The typical voice of Fagner and the unmistakable fado touch (arrangement by
Ronaldo do Bandolim) don't disturb the overall sentiment of this
cd. Neither does the presence of de Brito's long-time friend Beth
Carvalho on "Folhas Secas,"
which gets an impressive and outstanding beautiful intro by Zé Paulo
Becker. Beth Carvalho's powerful voice stands in sharp contrast with Guilherme
de Brito's fragile vocals, splitting the song into two parts. Third guest is
senior samba star Elton Medeiros (1930), only adding his thoughts about the
song's rhythm on his inseparable matchbox... ("Gotas de Luar"). The album closes
with the well chosen "Minha Festa," where the voices of
the Trio Madeira Brasil and producer Moacyr Luz join in the happy ending of
the cd.
A Flor e o Espinho is an album like a beautiful flower; the
only thorn could be the duration of the album, 39 minutes... Although
that's not shorter than what we were used to in the ages of LP's.