My biggest surprise when I first played this new release by Bebel
Gilberto was the acoustic sound used in the album. Moving away from
electronic samplers so predominant in Tanto Tempo, Bebel
Gilberto decided to show another side of her musical heritage. She
is definitely more mature in Bebel
Gilberto and even proves she's got great talent in song writing,
too. She co-wrote nine of the 12 tunes in this album. Produced by
Marius de Vries (you might know him from his work with Madonna, Björk
and Annie Lennox), Bebel Gilberto is
a nice departure from her 2000 debut album for Ziriguiboom, Tanto
Tempo.
In addition to writing several songs here, Bebel Gilberto also recorded
music by Daniel Jobim (Antonio Carlos Jobim's grandson), Pedro Baby
Gomes (son of Baby Brasil and Pepeu Gomes) and the classic Caetano
Veloso "Baby" (here with English lyrics by Os Mutantes). That song
opens the album. In Bebel Gilberto's own words, she picked that song
because "it speaks so loudly to my heart," and since this record
is a personal statement about Gilberto herself, the song choice is
certainly befitting. The mood of the album is very much close to
the arrangement for "Baby": soothing vocals, acoustic instrumentation
with very subtle electronics. Nevertheless, Gilberto seems to know
just when to add more spice to her music. That is the case for Carlinhos
Brown's "Aganjú" (that's Xangô in Yoruban). The beat
and percussion are hypnotic. Lending a hand in the background vocals
on the track we find none other than Gilberto's own mom, Miúcha.
Clearly the most Bossa Nova influenced track in the album, "All Around"
is beautiful. Gilberto explains that the song "reflects exactly the
pain" she was going through when writing the song. It's no wonder
"All Around" is her favorite track and might easily become yours,
too. With Portuguese lyrics, "River Song" is a tribute to the mountains,
rivers and landscape of Rio de Janeiro. The flute solos are awesome.
The sad and longing lyrics in "O Caminho" are highlighted by João
Donato's beautiful arrangement and accompaniment. Another great moment
in the album comes with the collaboration between Bebel Gilberto
and Carlinhos Brown. With "Jabuticaba" we find innocence and an irresistible
melody. It helps, of course, that Carlinhos Brown added some gorgeous
solos of tabla and Indian banjo. Finally, closing the album, the
lullaby "Next To You" brings hope to a better world.
Bebel Gilberto takes a chance in moving away from the electronic
instrumentation in Gilberto's previous work, but the risk is well
taken. Gilberto is a strong singer (each day she sounds more like
her mom, too) and delivers her material with passion. When you hear
Bebel Gilberto, you can experience her love, sadness, hopes
and dreams in the music she makes.
Read more about Bebel Gilberto and hear samples of this
album here.

Egídio Leitão
June 2004