That sums up Revista do Samba. The trio chose one of Brazil's most
significant genres, the samba, as the focus of its self-titled CD.
After careful research, the trio, comprised of Beto Bianchi (acoustic
guitar, voice), Letícia Coura (cavaquinho, voice) and Vítor
da Trindade (percussion, voice), selected 15 sambas covering different
eras in Brazilian music: from 1917, with Donga and Mauro de Almeida's
historical "Pelo Telefone" (the first samba ever recorded
in Brazil) to 1960, with Cartola and Elton Medeiros's "O Sol
Nascerá." A true who's-who in Brazilian samba history,
the songwriters in this release also include Assis Valente, Noel
Rosa, Ataulfo Alves and Adoniran Barbosa. 
The opening vignette, Noel Rosa's "Coisas Nossas," sets
the stage for some unforgettable samba performances. Without trying
to change the original tunes or update these excellent sambas,
Revista do Samba delivers each track with remarkable competence and
captivating vivacity. They sing these songs with gusto, and by doing
so, they
allow new generations to experience some of the best there is in
the Brazilian music repertoire. While most tunes are vibrant, when
the trio slows down for Monsueto Menezes and Ayrton Amorim's "Me
Deixa em Paz," Coura's voice appears lazy and languid, but
it is only her way of expressing the frustration and anger in the
lyrics.
Zé Kéti's "A Voz do Morro" is exuberant
in its very percussive arrangement, with the addition of repinique,
caixa, surdo, atabaque and other typical samba instruments. In
the
best tradition of teatro de revista, the arrangement for Amado
Régis's "O
Samba e o Tango" will likely make you chuckle when Coura's
sings about the tango.
Though the album does not follow a chronological order in the performance
of the songs, it is interesting to hear how well these tunes blend
together as if in a medley. That is especially true with "A
Voz do Morro" (from 1956) and "Leva Meu Samba" (from
1941).
Liner notes contain photos and all lyrics, including
guitar chords. Revista do Samba not only performs classic sambas
with impeccable precision, but they also make you feel you are
stepping back in time with each song they sing. Teatro de revista
comes alive
again with this excellent album.
More about Revista do Samba, including song samples, can be found
at their web site.