Brazilian northeastern music has been a well-kept
secret for many years. Sometimes ostracized, neglected or called
music for maids and taxi drivers (that was actually used as a subtitle
for a CD a few years back), forró is now enjoying its well-deserved
place in the vast Brazilian musical panorama. Besides world-renowned
accordionist Sivuca, a new generation of performers has kept the
forró tradition alive and well. Elba Ramalho, in particular, can
be regarded as the queen of the "sertão," the Brazilian hinterland.
With Leão do Norte,
Elba Ramalho strikes again. Following her successful 1993 compilation,
O Grande Forró de Elba Ramalho,
and her 1995 Paisagem, Elba knew that sticking to her
northeastern roots was the formula for yet another successful release.
Leão do
Norte is beautifully
produced by Robertinho do Recife with the artistic direction of
Sérgio de Carvalho. The songs cover just basically any
variation of forró: xote, xamego, arrasta-pé and even frevo. The
instrumentation is the best and most truthful you can expect in
a forró recording: triangle, accordion, bumba (a kind of drum)
and not much more. Nothing else is needed besides Elba's voice,
and the rhythm will take care of it all. Press the repeat mode
on your
CD player and your party will be effervescent!
As if Elba by herself were not enough, Lenine,
Zé Ramalho, Robertinho do Recife, Dino 7 Cordas, Boca Livre and
Dominguinhos show up as special guests. The songs are by Geraldo
Azevedo, Capinan, Dorival Caymmi, Luiz Gonzaga, Humberto Teixeira,
Zé Ramalho, João do Vale, Antônio Maria, Caetano Veloso and
Chico César, among
others. It would be hard for anyone to talk about this release
without using superlatives. It is simply one of Elba's best work.