Upon receiving New Chorinhos from Brazil, I confess I was
a
little apprehensive. Choro (literally "cry") is a Brazilian music form that requires
a lot of soul both for performing and composing it. One could say choro is very
much like the Portuguese fado in that it evokes feelings. Unlike fado, however,
choro (or chorinho, little cry) can be a lively composition or an introspect,
sad song.
It is interesting to note that this album was first released on
cassette in the centennial year of Pixinguinha's birthday (April
23, 1897), Brazil's most notable choro composer. The CD version only
appeared a year later. I had
my doubts that
a contemporary
performer could show all the artistry required to perform chorinhos,
especially on piano (Arthur Moreira Lima comes to mind). Luiz Simas
can and has done an outstanding job! His New Chorinhos
from Brazil is by far one of the very best original choro releases
out of Brazil in recent years. All titles here are composed and superbly
performed
by Luiz Simas on piano.
The musical range of material in New Chorinhos from Brazil varies
from the sublime to the playful. Clear influences from other choro
composers (e.g., Ernesto Nazareth) can be subtly perceived in various
numbers. There are also classical influences in some of the music,
with Chopin and Bach being very prominent.
"Chorinho das Comadres" elicits
the type of frolicsome activities so prevalent in the late 19th and
early
20th century gatherings in Rio de Janeiro's high society. With "Chorinho
com Bossa," bossa nova influences underline
the chord structures and melody. "Saltitante" is
animated, whereas "Preguiçoso" is pensive.
Feelings and states of mind permeate New Chorinhos from Brazil,
and it is exactly in the manner that Luiz Simas chooses to express
those
feelings that he succeeds most notably. Every time I play New
Chorinhos from Brazil, I discover yet another side of Simas's
beautiful music.
You can read more about Luiz Simas and this recording at his home
page.