Katia Bronstein (born in Rio) is creative on a wide scale
of artistic activities: she's an actress, dancer, singer and composer.
Although I don't know about her dancing and acting, I DO know I'm
happy she decided to focus a bit more on music. You might know Katia
by her participation on the highly recommended Suba CD São
Paulo Confessions. The song "Segredo" on that album is
written and performed by Katia and Suba.
On this CD the late Mitar Subotic (Suba) is responsible for the
mixing, which gives you a clue about the music, too: tasteful use
of electronics combined with good musicianship. The music was recorded
in 1998 and released independently before it was released again with
two additional tracks in 2000. The CD opens with the impressive "Beijos
de Beco". Marcos Cunha and Plínio Gomes do an absolutely
great job in laying down the sound texture. It has an oriental atmosphere
over it. It is followed by "Risos e Chá," another
example of how beautiful electronic music can sound! It's a slow
tempo song, with nice work by guitarist Gustavo Corsi (who also worked
with Marina Lima (Sissi Na Sua) and Cidade Negra). In these two songs
you already learn that Katia's voice sounds crystal clear,
sensual and flexible. "Diva" is a Katia B original,
sounding very contemporary. Tom Capone on guitar and Paralamas' João
Barone adds his percussive talents. One of the added songs on this
release is "A Rã" (Caetano Veloso - Jo‹o
Donato). It's a wonderful rendition. João Barone is on drums,
sound wizard Plínio Gomes picks up his beloved bass, Gustavo
Corsi is on guitar, João Parahyba is the percussionist and
Marcos Cunha is on keys. Without sounding like her, it does make
me think of Bebel Gilberto, whose CD was produced by Suba. What we
hear throughout this album sounds so much more adventurous, inventive
and pure, compared to Tanto Tempo. "Copo Vazio" is a lazy
sounding gem. Written by Dé and João Barone (who's
on bass and drums here), we have Marcos Nimrichter on keys and piano
and Corsi on guitar. Beautiful! More aggressive is "Que Horas
Não São?", with Herbert Vianna on guitar. Vianna
composed "Noites de Sol, Dia de Lua," a typical Herbert
Vianna song, perfectly fitting Katia's beautiful voice. Marcos
Nimrichter's accordion, combined with the cellos of Lui Coimbra and
Hugo Pilger, give it a mysterious undertone. It flows nicely over
in "Pólos." Also a laid back, beautiful sung gem. "Nem
Aí" is another highlight with heavy sound texture (Plínio
Gomes), strong percussion (João Barone on drums and a quartet
of percussionists). Glauco Fernandes adds a surprising violin line;
Coimbra on cello and beautiful piano (Nimrichter). This is also an
example of what I mean with much more adventurous... On "Framboesas" Katia's
voice flows through the air, tastefully accompanied by electronic
sounds and piano (Marcos Cunha). The second additional track on this
release is "Na Lagoa Dub," which sounds as a sort of review
of this wonderful CD. If interested in this CD, please contact Net
Records.