If in Brazil artists get stuck recording and releasing live albums
with nothing or hardly anything new, where are the audiences turning
to for new and innovative projects? One answer is the international
market, and among those outside of Brazil, Josee Koning is a shining
star. Recorded in Rio is Koning's third commercial solo
album with Brazilian music (she has a non-commercial live album with
Brazilian music, too). As a follow-up to her successful Dois
Mundos, this CD will definitely please all who love Brazilian
music.
Recorded in Rio is packed with good music, an excellent
band backing up Koning's strong vocals and an array of top-notch
Brazilian musicians. This project started out in 2001 and was recorded
at Discover Studio in Rio de Janeiro, hence the CD title. Koning
left the production in charge of Leonardo Amuedo, who also doubles
as a guitarist. Besides Amuedo, the main band is comprised of Pedro
Moraes and Nema Antunes (bass) and Lucas Reis and Firmino (percussion).
Now,
the star surprises appear with Antonio Adolfo (piano), Carlos Malta
(sax), Jessé Sadoc (trumpet), Téo Lima (drums), Lula
Galvão (acoustic guitar), Sivuca (accordion) and Ivan Lins
(vocals), who also gave Koning two brand new songs for this album.
The repertoire covers Tom Jobim, Ivan Lins, Antonio Adolfo, Caetano
Veloso and Guinga and also includes other compositions by dutch songwriters
(with Portuguese lyrics by Abel Silva) in a most surprising blend
with Brazilian flavor. If you do not peek at the liner notes, you
will not be able to tell which songs are not originally Brazilian.
The album opens with the Lins soft ballad "Te Quero Tanto," where
Amuedo's guitar accompaniment is the main focus in this soothing
arrangement. Lins does some nice backing vocals here. Not waiting
for a late surprise, Koning immediately does one of the most amazing
renditions of this seldom heard Adolfo song, "Coração
do Brasil." The song is one of those tunes praising the beauty,
flora and fauna of Brazil -- very much like "Aquarela do Brasil" (by
Ary Barroso) -- and Koning's performance is breathtaking. The arrangement
is bold and rich with brass and percussion precisely in the right
dosage. This is the kind of song that sticks in your mind, and this
arrangement can certainly become a standard. Koning's voice is mellow
and at the same time strong. If you have ever been to Brazil, the
song will echo inside of you. This is probably the best track in
this album.
Antonio
Adolfo himself does a superb piano solo. Continuing her trip across
Brazil, Koning invites Sivuca to provide the flavor of northeast
Brazil in "Silêncio em Amsterdam." The title will
not fool you, but the triangle, zabumba and tight forró arrangement
will definitely make you think of the barren countryside of Brazil
-- except that the song is talking about Amsterdam. Fine touch. Guinga's
song "No Fundo do Rio" receives a great Carioca feel, particularly
with Lula Galvão's acoustic guitar accompaniment. His solo
is eerily close to Guinga's original. The arrangement, co-signed
by Galvão and Amuedo, has just the right instrumentation giving
you the feeling as if you were sitting in a bar in Rio de Janeiro
drinking caipirinhas and jamming with friends. The second
Lins song presented to Koning, "Quando Você Não
Vem," also features the songwriter in the vocals. Their voices
have a nice blend in this tender love song. In the next two tracks,
Koning pays tribute to Moacir Santos with two of his most well-known
songs, "Nanã" and "April Child." In the
first, Pedro Moraes's bass is the driving force and is helped by
Carlos Malta's tenor sax. Showing her versatility and comfort singing
in another foreign language, Koning carries "April Child" effortlessly.
The rest of Recorded in Rio continues with a good balance
between ballads and samba. In "Corsário," Amuedo's
guitar accompaniment has a flamenco influence, whereas in "Desde
que o Samba É Samba," the opening batucada makes
room to a quieter samba beat.
Recorded in Rio is more than pleasing and full of surprise
guests, superb arrangements and the inimitable performances by Koning,
who proves once again how comfortable and competent she is singing
some of the best of the Brazilian music songbook.
For more information about this album, please visit Josee
Koning's web site.