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All compositions by Chico Buarque,
except where noted.
- Querido Diário
- Rubato (Jorge Helder – Chico Buarque)
- Essa Pequena
- Tipo Um Baião
- Se Eu Soubesse
- Sem Você nº 2
- Sou Eu (Ivan Lins – Chico Buarque)
- Nina
- Barafunda
- Sinhá (João Bosco – Chico Buarque)
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Besides being a notorious singer, guitarist, composer, dramatist,
writer and poet, Chico Buarque is also quite skilful in dividing his
time. After the release of Carioca in 2006, Chico Buarque
decided to spend some time on writing. It resulted in the critically
acclaimed novel Leite Derramado. Next, it was time again
for some music. Chico started to compose and recorded ten most pleasing
songs for this album that he simply called Chico. After
such a music time-out, expectations about a new album are also fed
by impatience. But, again, Chico Buarque proves to be the musician
who pursues a continuous high artistic level.
Since the 1990s Chico started to divide his time between writing
and music. He published novels (Estorvo in 1991, Benjamim (1995),
Budapeste (2003) and Leite Derramado in
2009) and released some beautiful CDs (Paratodos (1993), Uma
Palavra (1995), As Cidades (1998) and Carioca in
2006). And here's
his next accomplishment: Chico.
On this album Chico Buarque kind of rephrases his older repertoire.
Romance is the main sentiment in the lyrics, melancholy is the main
sentiment of the music. The compositions feature samba, bossa-nova
and bluesy ballads. As on many of Chico's albums, an important
part is played by acoustic guitarist and arranger Luiz Cláudio
Ramos (Rio de Janeiro, 1949). His decades of experience with Chico
Buarque and his music, made him a true expert in how to arrange and
perform his compositions. By now he's almost like part of the
sound of Chico Buarque. It's that typical sound that opens the
CD. "Querido Diário" has that special Chico Buarque
flavor all over it. The singer tells about the everyday routine while
strolling through the streets. A string quartet accentuates the feeling
of melancholy. Chico calls this an updated version of his composition
from 1971, "Cotidiano."
Chico
Buarque invited a few guests to participate on the album. The first
one we hear is his very close friend, singer Thais Gulin. Chico wrote
"Se Eu Soubesse" especially for the 31-year-old singer from
the city of Curitiba. She already recorded the song on her own album ôÔÔôôÔôÔ,
with Chico as guest. She now returns the favor by singing it with Chico.
It almost sounds like a duo that's in a conversation. (although
not mentioned on the Biscoito Fino release, we hear Cristina
Braga on harp here). On the cheerful samba "Sou Eu,"
Chico invited the legendary drummer/singer Wilson
das Neves (Rio de
Janeiro, 1936) to share the vocals. Wilson das Neves has performed
with Chico Buarque before, but he mainly made fame as drummer from
the legendary band Os
Ipanemas (with a mix of afro-samba, bossa nova
and jazz). "Sou
Eu" was written by Chico in partnership with Ivan
Lins, who saw
the samba as an addition to the repertoire of singer Simone.
However, Chico preferred the lyrics to be sung by a male vocalist.
And thus the song appeared on an album by samba singer Diogo Nogueira
(Tô Fazendo
Minha Parte, 2009). Chico's own interpretation with Wilson
das Neves is one of the many highlights on "Chico". Another
highlight is without any doubt the participation of guitarist/ singer
João Bosco (1946,
Ponte Nova, in the state of Minas Gerais). The samba "Sinhá" unites
the styles of these two giants, samba with Afro-samba influences. "Essa
pequena" is
a blues about how time plays a role in a love-affair between an older
man and a younger woman. It features beautiful acoustic bass lines
by Jorge Helder, lovely jazzy piano accompaniment (João Rebouças),
a nice acoustic guitar solo (Luiz Cláudio Ramos ) and violinist
Nicolas Krassik in a nostalgic jazz (Stephane Grappelli) tradition.
"Sem Você Nº 2," with a sad cynism about how
life is without the other, of course refers to the well known Tom
Jobim/Vinícius
de Moraes bossa nova from 1959, "Sem Você." In "Nina"
the author goes on a virtual journey to Moscow where he'll meet his
dream girl Nina. The accordion of Marcos
Nimrichter and the cello of
Hugo Pilger add to a Russian atmosphere in this little waltz. Each
song tells its own story. They all have in common that they fit in
the repertoire of their composer in a most comfortable way. No music
is as recognizable as Chico Buarque's music.
The CD invites to listen again. The power of Chico Buarque's
music is that the listener constantly discovers new details in the
apparently friendly music. Outside it looks simple black and white,
but inside all the colours open up…
K.S.
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